“Her has the same defiantly wistful manchild regression Jonze showed in his version of Where the Wild Things Are – a singular exercise in imagination, almost a postmodern pastoral.”
“Internet addicts like me will see the film as a bang-on indictment of how so many of us use technology as a form of escape from our lives, while trying to convince ourselves it enhances it. In the film, everyone is bent over their phones, avoiding eye contact. And when I came out of the cinema, what did I immediately do? Bend over my phone and look for people online to talk to instead of talking to the actual people next to me with whom I’d gone to the cinema. But that was OK because they were doing the same: staring at their screens, white buds in their ears, blocking out the world. We all know this, of course, but sometimes you need to see a film about a man having sex with data for it to clarify.”

How Meditation Can Help Inmates - Paul Rosenfeld - The Atlantic:

In this short film from Emmanuel Vaughan-Lee we go inside the Rhode Island correctional facility, where we are introduced to Fleet Maull and the inmates who enroll in his Prison Mindfulness Institute. The film makes the case for prison serving the function of reformation and not simply incarceration.
“It’s nominally about dinosaurs, so it’s already starting light years ahead of most movies (what I wouldn’t give for more tyrannosaurs in romantic comedies, for instance). But underneath that layer of awesomeness, it’s a parable about what I call the Triforce of Science. This Triforce is not exactly wisdom, courage, and power, but it’s actually not far off: it’s theory, empiricism, and money.”
“love “becomes all about choice — choosing to love someone, choosing not to cheat on them. It becomes this long series of choices, and that’s actually where your mettle as a person is tested.””
“Our capacity for fantasy — for indulging that nagging sense that as good as we’ve got it, there could be something better, some person or place that could transform us — might be humankind’s greatest burden.”


Our In-Theater Commentary Track is up!

I recorded a commentary track to be downloaded, put on an ipod and listened to in the theater as you’re watching Looper.  This is an odd thing I tried with Bloom, and have gotten a few requests for it again, so here it is.  It is totally different from the commentary track that will be on the Blu/DVD, a bit more technical and detailed.  Needless to say, this is NOT to be listened to on a first viewing, or before you’ve seen the film.  Also, please work it so that a glowing screening is never out of your pocket during the movie.

Listen to the introduction before heading to the theater, it has instructions.  And lemme know how it works.

Go HERE to download the in-theater commentary track for Looper! (the “download” button is the little down arrow on the toolbar)

“Crime films, Dominik said, were “the most honest films about America” because in them it was “perfectly acceptable for all the characters to be motivated by money”. They “portray Americans as I experience a lot of them, particularly in Hollywood”, he said.”
“Let’s take that in for a minute: the studio whose most iconic heroes include a toy cowboy, a rat, a fish, a boy scout, and a lonely trash compactor (all male-identified, of course), couldn’t figure out how to tell a story about a human girl without making her a princess. That’s the problem in a nutshell: if the sparkling minds at Pixar can’t imagine their way out of the princess paradigm, how can we expect girls to?”
“Anytime a director casts an actor like Kevin Costner to play a prosecutor delivering a heartfelt summation, we must keep things in perspective and remember it is only a dramatization of events that we’re watching. Every good feature requires a hero and a villain and screen-writers usually take their liberties in providing them.”
“Blur ended up with 26 moments approved by Fincher, then composed them into 252 shots of 24 frames or fewer. Each piece was created electronically using 3ds Max, RealFlow (for the oily goo), Softimage and other software, as well as 3-D scans of principal actors Rooney Mara and Daniel Craig (to get their likenesses right).”


Sherlock Holmes: Game of Shadows Summary.

She’s secretly into it.